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A prime example of the American film noir style that flourished during the 1940s and '50s, The Big Combo is now highly regarded as a stylistic milestone for its innovative use of deep shadows and harsh, singular light sources to define its visual strategy. This look is largely credited to the rule-breaking brilliance of cinematographer John Alton, who turns a standard plot of the era into a richly atmospheric experiment in visual invention. Ignoring conventional approaches to lighting, Alton defines the screen in terms of blackness, often framing characters as silhouettes cast in ominous grays or thick, roiling fogs. Moving from clarity to abstraction with masterful grades in between, Alton's trend-setting style has been celebrated by cinematographers since the film's release in 1955.
The film's plot keeps brisk pace with the visuals, focusing on the obsessive efforts of a tenacious detective (Cornel Wilde) to destroy a sadistic mobster (Richard Conte) whose vicious influence has nearly ruined the life of the woman (Jean Wallace) he keeps under his dark wing. Lee Van Cleef and Earl Holliman are nicely cast as the villain's toady henchmen, and Brian Donlevy's usual limitations serve him well as the humbled, frustrated kingpin who's been stifled by Conte's ambition. Director JosephH. Lewis previously demonstrated his raw, stylistic vigor with the earlier cult favorite Gun Crazy, and here he's in peak form with a perfect match of subject and sensibility. The result is hard-boiled entertainment that still packs a punch. --Jeff Shannon
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Film Noir of the Week: The Big Combo (1955) Period Story, Present Day Look The movies are now and have always been eager to please. They want you to like them, even if theyre giving you a bit of history ... The Big Combo (1955) - Rotten Tomatoes Review: Police Lt. Leonard Diamond (Cornel Wilde) is criticized by his superior Capt. Peterson (Robert Middleton) for his obsessive but fruitless... Amazon.com: The Big Combo: Richard Conte, Jean Wallace, Cornel ... A prime example of the American film noir style that flourished during the 1940s and '50s, The Big Combo is now highly regarded as a stylistic milestone for its ... The Big Combo - Wikipedia, the free encyclopedia The Big Combo (1955) is an American film noir directed by Joseph H. Lewis and photographed by cinematographer John Alton, with music by David Raksin. Police Lt ... The Big Combo (1955) - IMDb Police Lt. Diamond is told to close his surveillance of suspected mob boss Mr. Brown because it's costing the department too much money with no results. Diamond makes ... Amazon.com: The Big Combo: Cornel Wilde, Richard Conte, Brian ... Synopsis: A down-and-dirty cop is obsessed with stopping a powerful mobster in this remarkable classic film noir. Starring: Cornel Wilde , Richard Conte Supporting ... Big Combo, The We would like to show you a description here, but the site youre looking at won't allow us. The Big Combo (1955) - IMDb A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown ...
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